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Art and Architecture: What Closes in August

See these New York exhibitions from our partners and beyond before they close.

Written by
Published on
July 31, 2026
Category
Roundups

Across the city activism, art, architecture, and design are in constant dialogue, informing each other just as the city’s eight million citizens do every day on the streets. From the master of readymades to shaping of Brooklyn’s politics, explore these conversations today.

 

Installation view of Donald Judd Furniture: Wood and Metal, June 5 – August 1, 2026. Photo: Timothy Doyon © Judd Foundation.

Donald Judd Furniture: Wood and Metal

On view through August 1, 101 Spring Street, Manhattan

Distinctions between art, architecture, and furniture were fundamental to Judd’s practice. He designed furniture by letting function dominate, while considering the role of space, material, and color on the experience of the object. Selected by Flavin Judd, Artistic Director of Judd Foundation, the exhibition shows the range of Donald Judd’s designs in various materials and finishes considered for living, working, and shared spaces.

 

RR-126 Radio-Phonograph, 1965; Designed by Achille Castiglioni (Italian, 1918-2002) and Pier Giacomo Castiglioni, (Italian, 1913-1968); Manufactured by Brionvega, S.p.A (Milan, Italy); Plywood, plastic, aluminum, polycarbonate, electronic components; H x W x D (speakers on sides): 46.5 × 121 × 36.5 cm (18 5/16 × 47 5/8 × 14 3/8 in.); H x W x D (speakers on top): 92.5 × 61.5 × 36.5 cm (36 7/16 × 24 3/16 × 14 3/8 in.); Cooper Hewitt, Smithsonian Design Museum; Gift of George R. Kravis II, 2018-22-96-a/c; Photo: Matt Flynn.

Art of Noise

On view through August 16, 2026, Cooper Hewitt, Manhattan

Art of Noise shows how design shapes the way we experience music—how and where we listen to it, how it’s communicated visually, and what we choose to hear. For many people, these design choices feel like apart of the music itself; they become a key part of how we remember and understand sound in a multi sensory way—through our ears, our eyes, and our sense of touch. From concert posters to record albums, phonographs to digital music players, handheld radios to sound systems, the exhibition demonstrates how our experiences are built by both the sounds we hear and the objects thathelp illustrate or activate them, whether through color and composition orthrough form, material, and mechanics.

 

Marcel Duchamp. Why Not Sneeze, Rose Sélavy?, 1921. Painted metal birdcage, wood, marble cubes, a pair of white glass dishes, thermometer, cuttlebone, 4 7/8 x 8 3/4 x 6 3/8 in (12.4 x 22.2 x 16.2 cm). Philadelphia Museum of Art, The Louise and Walter Arensberg Collection. © Artists Rights Society (ARS), New York / ADAGP, Paris / Association Marcel Duchamp.

Marcel Duchamp

On view through August 22, Museum of Modern Art, Manhattan

Over a six-decade career, Duchamp challenged the very definition of the artwork, ushering in a new era of creative license—the reverberations of which are still felt today. His invention of the readymade asa form of sculpture forever altered the parameters of art and authorship. Featuring some 300 artworks, this exhibition marks the first retrospective of the artist’s work in the United States since 1973.

 

Detail view of Dagmar Van Weeghel's FATOU, 2022, Pigment print with water color made from African Marigold flowers,Coreopsis, Indigo, Walnut, Dahlias, Roses.

Radical Botany: The Politics of Flowers

On view through August 22, The Alice Austen House, Staten Island

This exhibition showcases contemporary artists who use flowers as their primary subject to address pressing political issues affecting us all. The works span diverse themes including colonial history, immigration, sexism, racism, gender politics, homophobia and class. The artists employ flowers both symbolically and literally – through formal arrangements, seed planting, decay, and disruption – to express deeply human struggles. By centering the flower, these artists reveal how this seemingly delicate subject is never merely decorative but carries profound weight; across a range of media, the exhibition demonstrates that flowers are sites of labor, commodification, memory, and resistance.

 

Rioghan Kirchner Civil Rights in Brooklyn collection, Center for Brooklyn History, Brooklyn Public Library

People Making Power: Politics in Brooklyn

On view through August 30, 2025, Brooklyn Public Library, Brooklyn

People Making Power: Politics in Brooklyn explores the history of politics in Brooklyn. By highlighting three levels of political action: block level politics, political clubs, and Brooklyn politicians passing legislation in Congress, the exhibition allows visitors to see how Brooklynites have galvanized action, organized themselves, and made lasting change.

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