In 1969, at the behest of his students and with support from The Architectural League and the Graham Foundation, John Hejduk published Three Projects—a set of texts and drawings culminating “a ten-year effort and search into generating principles of form and space.” The principle in question was his Diamond Thesis, a long-standing inquiry into the spatial possibilities that emerge from the isometric projection of a diamond.
This exhibition—part of an ongoing series of hallway shows presenting material from the Architecture Archive—features the now rare publication in full. Also shown are related correspondence from the Archive; contextual records generously provided by Joan Ockman, The Architectural League of New York, and the Graham Foundation for Advanced Studies in the Fine Arts; and an illuminating essay by Stan Allen—"John Hejduk’s Axonometric Degree Zero” (Drawing Matter, 2019).